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DERRICK DUNN

Despite the presence of Black Girl Magic, "The Deliverance" is a disappointment.


Academy Award-nominated director Lee Daniels is delving into the horror genre with his sixth directorial endeavor, "The Deliverance," produced for Netflix. The film marks a reunion for Daniels with two actresses he directed to award-winning performances: Andra Day, who starred in "The United States vs. Billie Holiday," and Mo'Nique, known for her role in "Precious." David Coggeshall and Elijah Bynum penned the film's screenplay, partially inspired by the Ammons haunting case. This real-life paranormal investigation adds a chilling layer of authenticity to the narrative.


Ebony (Day) makes a courageous decision to relocate her family, which includes her mother Alberta (Glenn Close), sons Nate (Caleb McLaughlin) & Andre (Anthony B. Jenkins), and daughter Shante (Demi Singleton), to a new home down south in search of a fresh start. As a recovering alcoholic, Ebony is already facing her own battles, including a separation from her husband. To add to the complexity, Alberta is rediscovering her zest for life, a fact that doesn't sit well with everyone.




However, as the family settles into their new home, a series of inexplicable events unfold, casting a palpable shadow of fear and uncertainty. These occurrences deeply affect the children and attract the attention of Cynthia (Mo'Nique), a vigilant Child Protective Services agent. Her suspicions threaten to unravel the family's fragile peace. Ebony is soon thrust into a harrowing battle for her life and the souls of her children, with only the enigmatic Rev. Bernice James (Aunjanue Ellis-Taylor) by her side.


Since debuting with 2005's "Shadowboxer," director Lee Daniels has never held back when it came to shock value in his projects. If one looks at his filmography, "The Butler" is essentially his most straightforward film. I generally like his creative output when he goes off the rails. However, "The Deliverance" starts with the ratchetness early on.



I lost count of the f-bombs and dietary terms used to describe women that occur in the first ten minutes. Oscar nominee Glenn Close is doing her best version of Rachel Denizel Cougar's Cosplay, and the scenes she shares with Omar Epps (who is totally wasted) were a bit cringey for me. It would have come across better if Daniels had cast Lonetta Mckee in the role.


Outside of Caleb McLaughlin, the young child actors in the film don't fare much better. Daniels taps into shock value for moments for the characters of Shante and Andre. I won't divulge details, but the scenes will be all the rage on social media . Furthermore, while she has flaws, I also had trouble suspending my disbelief in the kids' behavior towards Ebony.


However the film greatly benefits from the powerful performances of Andra Day, Mo'Nique, and Aunjanue Ellis. Day's portrayal marks a notable departure from her previous work and significantly enhances the material. Similarly, Mo'Nique's subduded performance showcases her prowess in dramatic roles despite her initial association with stand-up comedy. While Ellis-Taylor could simplyread the phone book and I would be entertained . Furthermore The film notably recovers momentum during the intense possession sequences in the final 30 minutes.


Despite the commendable efforts of the female actors (except for Glenn Close), "The Deliverance" is marred by a mediocre script that hinders director Lee Daniels' ability to fully develop its presented concepts. Nevertheless, I encourage audiences to view the film and form independent judgments.


Final Grade: C-


"The Deliverance" opens in limited theaters today and is available to stream on August 30th at  www.netflix.com/thedeliverance 



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