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DERRICK DUNN

Actor Jack Huston goes the distance with his directorial debut "Day of the Fight"


Actor Jack Huston transitions into directing with his promising debut film, "Day of the Fight." In addition to directing, Huston authored the screenplay, which chronicles the journey of Mike Flanagan, portrayed by Michael Pitt. Flanagan, a once-renowned boxer, is preparing for his first match after his prison release.


To prepare, he undertakes a redemptive exploration of the streets of Brooklyn, where he reconnects with his loved ones. As he endeavors to rectify his past mistakes, he stakes everything on his life's most significant fight.


One of the first things viewers walking into the film blind will notice is Huston's choice to shoot the movie in black & white, a clever homage to the boxing classic "Raging Bull." Huston vividly captures the gritty streets of Brooklyn, serving as both a backdrop and a character in its own right. The cinematography by Peter Simonitr beautifully contrasts the city's vibrancy with the darkness of Mike's past, reflecting his internal struggle. As he meanders through familiar neighborhoods, viewers are drawn into his world, filled with memories of lost time and unresolved relationships.


The heart of "Day of the Fight" lies in Mike's quest for redemption. I've been a fan of Pitt's acting style since first seeing him on "Dawson's Creek ."In a less than crowded year, Pitt would be in awards consideration as he takes the audience on a journey of emotion as he reconnects with estranged family members, including his uncle (Steve Buscemi), Jessica (Nicolette Robinson), the mother of his daughter, and his coach Steve (Ron Pearlman). It's the earnest honesty in Pitt's dialogue delivery as he hopes to mend the bonds he once shattered. 


However,  a heartbreaking moment with his father, portrayed by an unrecognizable Joe Pesci, stuck with me the most. Their interaction is depicted with raw emotion, showcasing the complexities of forgiveness and the scars that linger long after a boy becomes a man. The performances from both men are heartfelt, eschewing moments of vulnerability that reveal the deep-seated regrets but hopes for the future.


As for the fight itself, it serves as a metaphor for Mike's internal battle. Huston avoids turning the boxing match into a "Rocky" style fight, instead showcasing fight choreography that is thrilling yet grounded. We've watched Mike physically and emotionally prepare for most of the film. The audience knows the stakes and the climactic showdown that is as much about personal growth as it is about winning in the ring.


I commend the director for his exploration of the community. Mike's journey is not just an individual experience; it also reflects the people around him who have faced their struggles and want their hometown boy to succeed. Their challenges enrich his story, illustrating how intertwined lives can lead to collective healing.


"Day of the Fight" serves as a poignant reminder that while the past may be fraught with mistakes, the possibility of redemption is always within reach with strong performances, a compelling storyline, and a rich setting, which film is a knockout that resonates long after the credits roll.


Final Grade: B+


"Day of the Fight" is currently showing in NY and LA and opens in D.C. on Friday, December 13th, with an expansion to follow

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