Don’t Move delivers familiar but effective creature-feature thrills as Lyndsy Fonseca battles grief, isolation, and a prehistoric arachnid in the Ozark wilderness.

America often promotes the Statue of Liberty as a symbol of freedom, hope, and opportunity. In his short film “I Will Be Alright", director Cyrus Neshvad flips this familiar image on its head. The story centers around Laïla, a 16-year-old Iranian refugee facing the possibility of being deported back to the country she fled. As she fights to stay in a place she believed would keep her safe, Laïla works while dressed as the Statue of Liberty. This striking metaphor speaks v

“Marge” uses motherhood, generational trauma, and a horrifying family secret to deliver a sharp, unsettling Beyond Fest horror short.

Found-footage films have never been my favorite corner of the horror genre, but Alison-Eve Hammersley’s “Erie” caught me by surprise.

Florence Pugh anchors Netflix’s East of Eden with commanding intensity.

Netflix’s latest true-crime documentary examines the disturbing story of Thomas Randolph, a six-time husband whose marriages, suspicious deaths, and charm make for one of the stranger cases I’ve encountered in a while.

Rob Riggle delivers a grounded dramatic performance in Nickels, a heartfelt but underdeveloped drama about grief, faith, and second chances.

Eric Roberson celebrated his birthday weekend with a soulful return to The Birchmere delivering nearly two hours of fan favorites, and signature storytelling.

"A Different World" sequel gets a passing grade.

Director Nick Davis looks back at the friendships, talent, and perfect timing that helped shape a generation of comedy.